![]() Sign up for Them’s weekly newsletter here. But in the meantime, why not embrace our queer villain eras, and have a hell of a good time doing it? Still, movies and TV have a long way to go after decades of lazier queer-coded villainy. Now that nuanced characters like The Last Of Us’ Ellie, Interview With the Vampire’s Louis and Lestat, and even the refreshingly boring gay schemer from HBO’s The Gilded Age have been allowed to exist in all their messy, ethically questionable queer glory, audiences are warming up to LGBTQ+ stories that don’t fit neatly into “good” and “bad” representational boxes. It’s no secret that, over the years, the LGBTQ+ community has reclaimed queer-coded villains: if society sees us as monsters, then we might as well embrace that otherness, on-screen and off. But even in a media landscape where queerness, whether explicit or implied, is no longer directly tied to a character’s dastardly deeds, we still love a good gay villain. you are being ironic.53 Here the broad range of users and looser boundaries of the discourse has rendered the joke less intelligible than it would be in the. Unfortunately, several of these examples aren’t canonically evil gays. Plenty of Twitter users cited older examples, from the famously homoerotic relationship between original Scream baddies Bill and Stu to the extremely queer-coded backstabbing theater kids at the center of the classic film All About Eve. Of course, loving villainous queers (and their sidekicks) is not a new phenomenon. After four seasons of nuance, the beloved spy drama doubled down on tired tropes.
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